Emily Wozniak

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Nikon F6

The End of the Line

The Nikon F6 is the final F-series film SLR. The end of an era. Nikon's love letter to everything that made 35mm great. And honestly? It's perfect. I shoot with one every day, and I still find myself smiling when the shutter fires — crisp, confident, mechanical. It's a camera that means business, but also makes you feel something. Which no digital body ever has.

Why It Matters

Released in 2004 — yes, during the DSLR boom — the F6 wasn't built because the world needed it. It was built because Nikon wanted to prove they still could. It was engineered for pros who weren't ready to let go of film. And even today, in 2025, it's the best 35mm camera I've ever touched. Bar none.

What I Love

The Grip Situation (MB-40)

I used to shoot mine with the MB-40. Then I got the MS-41 and realized what I was missing. Without the grip, the F6 becomes a sleek, elegant street machine. With the grip, it's a beast of a portrait camera. You can shoot either way — and that modularity is rare and beautiful. Even if the accessories are overpriced and hard to find (looking at you, $300 battery tray).

The Film Era's Mic Drop

This isn't a nostalgia camera. It's not like picking up a Canon AE-1 and going, “Wow, they made things so simple back then.” No. The F6 is from the other end of the curve — the peak. It's when Nikon had over 50 years of F-mount tech and poured all of it into one final, uncompromising machine. This is what film looked like right before it died.

Drawbacks?

Final Word

The Nikon F6 is not for beginners. It's not for trend-chasers. It's not for Instagram. It's for people who still believe in photography as a physical, deliberate act. I shoot mine weekly. Sometimes daily. And every time I load a new roll, I'm reminded that this camera wasn't built for the market. It was built for us.

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